“I like mixing brushwork and spray paint. You could paint everything with a brush, but I enjoy having a few different textures and expressions — it brings the piece more to life,” he says.
The round wall made it especially challenging to keep proportions and lines consistent all the way around. To make it work, the artist used both VR goggles and careful measurements to transfer the motif from sketch to wall.
“The outlining is incredibly important — it’s the foundation. Once that’s in place, it’s ‘just’ a matter of colouring it in.”
The colour palette isn’t random, either. It draws on the visual identities of both Oslo Science Park and ArtBio.
“You might think a place filled with research and the hard sciences would feel a bit ‘cold,’ but both Forskningsparken and ArtBio actually have very warm, energetic colours in their visual profiles — so I found a lot of inspiration there.”